Friday, 7 December 2012

Front cover, cover page and dps (fixed according to audience feedback)

Cover page



Left hand side of contents page                                    Right hand side of contents page




Double Page Spread

After receiving the feeback and taking it into consideration I changed parts of the magazine, I tried a few different blue and purple tones for the text on the cover page but from a distance I wasnt able to read it so I kept it the goldy colour it originally was. Many magazines feature an editors note and it had been said that it would improve my magazine if i were to make a landscape contents page so i took that on board and made that change.

Thursday, 29 November 2012

Task 8 Cover Page

This is my process towards the final cover page for my magazine.





I've decided to change the blue writing to white as it was very hard to read the coverlines from a reasonable distance as a person would be doing in a shop, also ive made the price smaller and moved the barcode onto the left hand side. I've also included more coverlines and adapted my skyline so it attracts the reader. I've made the mast head larger so that it fills the whole length of the page and I included the website of the magazine in the bottom right hand corner.

Task 8 Planning and shooting

These are thumbnails from both of my photoshoots.

This shoot was for the contents page, I shot him with a saxophone because this is an instrument commonly known throught out the jazz music scene. I also got him to wear a black shirt and trousers as jazz musicians tend to do. I used the top left picture because the model is showing true connection with his instrument which makes him look like a professional saxophonist.
 
 
This shoot was for the cover page and dps. I attempted to make her look like a jazz artist with the big hoop earings and the vintage looking jumper. My inspiration for this was the singer sade. I also shot her in simliar poses as what sade had done in pictures. I used the bottom left pitcure of Noreen and the top left this is because these pictures her eye contact with camera is strong and her positioning works well which creates a bigger impact when the audience look at the picture.

Call Sheet - Second shoot Conrad

Jazz Kamara-Marsh
Photographer
Photoshoot assignment/Call sheet
 



Date: Tuesday November 20th 2012             
       
Time: 13.50 – 3.00
 
Assignment: Music magazine
 
Location:
Photography studio
Concept: A jazz musician, who plays the saxophone.
I had the model dress as many jazz musicians
 I’ve seen wear black. I had planned to have
pictures of him standing and seated to see which
ones worked best. The saxophone played an important
part as it’s a well know jazz instrument so it fit perfectly
 with the genre I was portraying.
Client: N/A
 
Media: RAW capture
 
Primary shoot of contact:
Jazz Kamara-Marsh
Photographer:
Jazz Kamara-Marsh
MUA: N/A
Hair stylist: N/A
Wardrobe stylist: Zenab Bukkar
Model: Conrad Nicholaou


Call Sheet - First shoot Noreen

Jazz Kamara-Marsh
Photographer
Photoshoot assignment/Call sheet

 
Date: Monday November 19th 2012                    
Time: 11.25 – 12.50
Assignment: Music magazine
Location:
Photography studio
                                                  Concept: I had planned to do portrait shots at various angles and poses inspired by Sade and a few other
female jazz singers. In order to portray the jazz/blues
 genre I had my model wear a vintage jumper I had a
change of outfits in case the first look didn’t work.
I took a few pictures in the second outfit but it
didn’t work as well. 
Client: N/A
Media: RAW capture
Primary shoot of contact:
Jazz Kamara-Marsh
Photographer:
Jazz Kamara-Marsh
MUA: Charisse Dawn Mitchell
Hair stylist: Tamika Aboah
Wardrobe stylist: Tamika Aboah
Model: Noreen Adjei
 

Photography Studio Set-Up

We were introduced to the photography studio before our planned photoshoots took place. We were shown the basic set-up you needed when taking photos.
As a class we were shown what we needed when setting up the studio for our personal shoots for our music magazines.

You have the choice of a black or white back drop
There are two flashlights - soft boxes (grids) which diffuses light, the grids channel correct lighting onto model and distributes light equally
There are two polyboards, these are foam boards which reflect light
The model should stand 5-6 feet away from the back of the backdrop
Lighting settings on soft boxes should start at 3 then you can decide if you need to go higher or lower (controlling the brightness of soft boxes)
The camera used is a Nikon d7000, it has 16 mmp, a 3.5 LCD screen, aperture priority  and shutter priority
There was a godox remote control transmitter, which syncs the camera and soft boxes, so when you take a picture the soft boxes flash
Lastly there were reflector boards, these are in gold, silver and white - as obvious from the name they reflect light